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conscious living: green furnishings

I was impressed that Cebu’s furniture industry is actively developing materials, processes and designs that are sustainable. Most of their furniture pieces and accessories now rely on the use of indigenous materials. Because indigenous materials like buri, rattan, abaca, and coconut shells are locally available, more abundant, easily harvested and processed with less energy, they are much more sustainable than wood.

[Photo above, from left: Mantid Bench in rattan, leather and metal from Obra Cebuana. Sunny Day Cocktail Table in rattan, leather & metal from Obra Cebuana. Palwa Occasional Chair in palwa (cocnut fronds) & rattan from APY Cane. Floor lamps and pendant lamps in curled/bent rattan & metal from Accessoria Inc.]

Now, Cebu designers are already exploring the use of forest wastes such as twigs and branches as materials for furniture production. Two examples are Kenneth Cobonpue’s Kris Kros screen (also used for the interiors of Z Bar, to be featured later this week) that uses small bamboo twigs on metal frame, and Naturescast’s furniture and accessories (above) that use cast pulp made of recycled paper and forest wastes (branches and leaves).

[Photo above, from left: Loom Floor Lamp using recycled foil textile (for the shade) from Hacienda Crafts Company. Chaise Lounge in rattan, steel & reused textiles from Pacific Traders. Floor & Table Lamps using camera film on metal frame from Detalia Aurora.]

The industry is also looking into developing recycled materials for furniture and accessories. Hacienda Crafts Company is making woven textiles using shredded foil wrappers and bags of potato chips and other snacks. Such fabrics can be used for lighting (above) and accessories .

These efforts do not only make Cebu’s furniture industry a model of a green and sustainable industry, but they also contribute in making their designs stand out internationally. This just proves that it is possible to be green without sacrificing on beauty and quality.

i saw design: 2010 cebunext

Based on our visit to CebuNext, I’m guessing that we’re in for a “romantic” decade.

Romantic, in the case of art and design, would refer to the predominance of human or natural qualities (emotions, impulse, organic movement, whim) as oppose to logical/mathematical/linear qualities (sorry for using big words!). If you go visit other design and decorating blogs and websites, you’ll find out that this appears to be an up-and-coming trend. A lot of people seem to have a renewed interest in everything that’s vintage/granny chic (especially the floral and lacey ones), everything handmade (the growing popularity of Etsy is good example), everything organic (biomorphic and sinuous forms), and everything antique/period style (but with an added contemporary twist, like a punch of bright color).

I have to credit Kenneth Cobonpue for somehow bringing up the term to my attention.  He’s one of the first designers that we got to talk to during our visit to the exhibit. When I asked him about the concept behind his latest designs, he said, “I wanted to introduce the element of romance into my designs. For my latest pieces, I turned to handmade textiles like knits, crochet, and macramé for inspiration.”

The reference to traditional crafts and reinterpreting their intricate handmade details for his furniture defined the romantic aspect of his latest designs. “It’s like a comeback from the past decades’ minimalism,” Kenneth added. Adopting crochet, knit, and macramé details resulted to pieces with a softer and more casual look. Moreover, their fine details make you want to feel the texture of the pieces. I especially like the Little People Collection with little human figures that make up the form, and this white side table (above) whose patterns resemble a gathered crochet stitch. (Know more about Kenneth Cobonpue in a separate feature next week)

The use of sinuous, growing, and free flowing forms is another recurring feature that we saw among the displays. Clayton Tugonon’s designs for Classical Geometry feature these characteristics. His furniture’s free flowing linear patterns echo the organic form seen in nature. The emotive element of his designs is further emphasized by the design for the booth. Newspaper pages cover the walls and floor. A thin wash topped with drips of white paint finish off the graphic surfaces.

Nature and world cultures are also the inspirations for the designs of Accessoria and Detalia Aurora. Sisters Vikki and Paula Rodriguez are the young designers behind a number of the brands’ latest pieces. Stylized interpretations of stones, nautilus shell, and tree sections are supported by their use of indigenous materials and traditional craftsmanship, showing off detailed surfaces in a clean silhouette.

The nostalgic effect of finding inspiration in history and reviving period style pieces is also parallel with the romantic idea. Companies such as Pacific Traders, Mehitabel, and Obra Cebuana take this direction, reinterpreting period style pieces by adopting a more edited form to make them more relevant to contemporary aesthetics.

Obra Cebuana, however, took it to the next level, retaining popular furniture silhouettes but redesigned the rest of the components.

Designer Vito Selma capitalized on his creative impulse and whimsical ideas to come up with partially quirky designs. The exaggerated proportions and unfinished surfaces of his take on the Louis XVI commode and the atypical design of his Nine Kiddie Chairs bookcase  (below) clearly demonstrate his adventurous design approach. (Know more about Vito Selma in a separate feature next week)

Check out the picture gallery below for more photos of the 2010 CebuNext exhibit.

[View with PicLens]

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cebu weekend

Hello everyone!

Ana and I just got back yesterday morning from our weekend in Cebu. It was tiring but every minute was well worth it. While we’re still working on the photos and the articles, we’ll give you first a preview of our trip. Too bad Lilli Beth and Green Guide were not able to join us because of work and their theses.

Our two-day trip started with a very early 4:15am flight to the Cebu. Good thing our hotel had vacant rooms and checked us in immediately when we arrived. We were still able to grab a good three hours of sleep before we hit the furniture show.

Day 1, Friday, was spent going around the CebuNext Furniture Show at the Waterfront Hotel. We ooohed and aaahed over the impressive furnishings from Cebu’s top furniture and lighting companies. We even got to meet some famous designers like Kenneth Cobonpue, Vito Selma and Clayton Tugonon. Talk about being star struck! Read all about our feature on the CebuNext show tomorrow.

We spent Friday night with two friends, photographer Ian Santos and architect Chito Basit, who both happened to be in Cebu as well. After dinner in Ayala Terraces (which very much resembles Greenbelt 3) we went to the highly recommended Z Bar at The Tinder Box along Archbishop Reyes Ave. in Banilad. The bar’s interiors were designed by Kenneth Cobonpue. To call it beautiful or interesting would be an understatement. Again, special thanks to Ian and Chito for being our photographer and “sponsors” that night, hehe!

Day 2 started early with a cab drive to Mactan Island to visit BE Resort (formerly known as Microtel, Mactan). Maybe because of her lack of sleep, Ana almost forgot her camera! Along the way, we got a glimpse of Sharngri-la Mactan’s lush driveway and uber private Abaca Boutique Resort’s gated front.

It was like a breath of fresh air when we finally arrived at the white, bright, and colorful place of BE Resort. Unfortunately our tight schedule only allowed us to stay around two hours to shoot a couple of the resort’s areas.

In the afternoon, we made a quick visit to Kenneth Cobonpue’s inspiring showroom. We almost missed the place because we were looking for a showroom with a ”Cobonpue” or a “Hive” signage. We didn’t expect that the site was actually an unassuming place which also includes the designer’s workshop/factory. 

Our last stop, but definitely not the least, was the house of Ted Gonzales, uncle of Zina, a good friend of mine from UP Interior Design. His passion for architecture, interior design and art produced a lovely place which he and his parents call home.

This week is not enough to feature everything about our trip. So, we will be dedicating the next two weeks for all the design goodness that we have encountered in Cebu starting tomorrow with our feature on the 2010 CebuNext Furniture Show.

clean-up break

via rearranged.design’s photostream

My bedroom is in dire need of some serious cleaning. After being so busy for the past three months, my room has been totally neglected. My desk is covered with stacks of magazines and books, envelopes of clients’ files, rolls of bluprints, and paper bags from recent shopping trips. I can’t even see the bottom of my desk anymore!

via almostbunnies’ photostream

So, I’ll be taking a break today and tomorrow from blogging to put some order into my room before I leave for Cebu on Friday morning. I’ll just leave you with these two photos that inspired me to finally take the cleaning matter into my own hands. Good luck to me!

conscious living: the lighter light

Halogen and incandescent lamps are probably the most flattering to use for interior spaces. They’re also equally flattering for people because they complement most skin tones. The problem is that they consume a lot of energy (30-50W per bulb). Although there are already warm white (yellowish) CFLs, they don’t have the same kind of “light quality”. The light coming from CFLs still looks “flat”. Probably it has something to do with differences in their light spectrum and light intensity. Not sure. On top of that, halogen lamps are just too hot (because of the high wattage) and they don’t last long.

Late last year, I was so happy to find out that Luxen, one of my favorite lamp stores in Ortigas Home Depot, started to carry LED lamps (LEDO brand from Australia) that were meant to replace the conventional halogen lamps and other accent lighting fixtures.

For 3W directional lamp, it produces light equal to a 30W halogen minus the high temperature. They are also dimmable and come in different types for different applications. Plus, they are projected to last for 25 years! They just come with a hefty price tag: P3,000 per 3W LED directional. However, in the long run it will save you more money compared to the cheaper halogen lamps that consume more energy and has a shorter lifespan.

I already tried the LED directional lamps in one project, and personally, I’m pleased with the results:

Now, here’s a better news. There’s a new LED bulb from Pharox that is designed to replace our conventional CFL bulbs for general lighting. Take note, CFLs are supposed to be phased out in 10 years. Although CFLs are relatively lower in energy consumption, the mercury content in the bulbs makes them hazardous to people and to the environment especially during their disposal.

Unfortunately, the Pharox LED bulbs are only available in 110V (so it will still require a ballast), can only fit an E26 base (we typically use an E27 base) and cost $49.95 for the 6W bulb (roughly P2,300.00). Hopefully they’ll come up with bulbs that can fit our local specs.

To know more about Pharox and the advantages of LED bulbs visit www.mypharox.com.

i saw design: excited over cebu next!

It’s March already! This means Ana and I are off to Cebu soon!

Last October, we got a preview of CebuNext over at Manila FAME. We were so impressed by their furniture displays that we wanted to see more. So this weekend, we’ll be flying to Cebu to attend the exhibit. We know that we’re in for loads of design treats!

In the past, Cebu has been the leader in furniture trends:

In the 60’s, the Cebu furniture industry popularized rattan furniture. Its casual and comfortable appeal was so widespread that no American home was without it. When rattan resources struggled in the 70’s (due to the extremely high demand), we stepped in and introduced buri, sourced from the most stately and largest of the Philippine palm trees. Buri’s unique tensile strength made it quite a sought-after material for furniture, and was most often seen in the ubiquitous piece of the period, the woven peacock chair.

In the 80’s, stonecraft, also known as laminated stone, took center stage, while woven cane & iron furnishings took over in the 90’s. In 1997, Cebu revamped the image of one of the oldest exports from the Philippines, abaca, by using it to interpret modern lines and processes. Combining the indigenous abaca with contemporary designs and technology made abaca hip again, giving a fresh, eco-conscious look to every room that had abaca furniture in it.

Such success prepared the world for the outdoor woven furniture trend that also started in Cebu in the year 2000. Since then, Cebu designers and manufacturers have been producing and shipping the most relaxing and most stylish outdoor furniture to top-end destinations all over the world, including trendy boutique hotels, exclusive vacation resorts, and the private homes of the rich and famous.

Key to the success of Cebu’s furniture design and manufacturing industry is their sustainable approach:

Cebu’s furniture designers and manufacturers have been using sustainable materials and methods long before “eco-friendly” and “going green” became buzzwords. Natural fibers from renewable sources have been the R & D cornerstone of many Cebu-based furniture companies, while nature’s castaways are now being incorporated into contemporary designs.

Naturescast by Nature’s Legacy Home and Garden is at the forefront of such efforts. They use forest wastes such as twigs and leaves in the creation of chairs, vases and other furniture items and décor. They prove that sustainability is an achievable ideal. It can be done.

Other Cebu furniture players participate in the sustainability drive as well, though not all efforts are visible in the furniture pieces themselves. One example is the continued use of traditional, handcrafting methods which reduce potential carbon emissions and the consumption of fossil fuels. Responsible manufacturing processes such as recycling waste water or using water-based finishes are on the list, as are identifying renewable sources of local materials, and the development of technologies and procedures to produce furniture and furnishings that are globally competitive. Tree-planting initiatives by the Cebu Furniture Industries Foundation (CFIF) round out the sustainability drive on an industry-wide level.

Sustainability, Return To Handcraftsmanship, and Individual Design are the three focus areas of CEBUNEXT. Sustainability is the heart of CEBUNEXT, which presents the concept to the world as a necessity, not a novelty, in hopes that world-wide sustainability efforts are not just trends but permanent fixtures that manufacturers, retailers and consumers can begin to take seriously and permanently – as unconscious fixtures in day to day functions as opposed to a conscious effort to ride a trend and profit from it.

Apart from CebuNext, we’ll be visiting a couple of interesting sites in the city. Watch out for our special Cebu features next week!

*Photos and texts via CebuNext

i saw design: art in the park, an invitation

If you’re not doing anything today, you might want to check this one out:

ART IN THE PARK on February 27, 2010, Saturday, 2 to 10 pm, Jaime Velasquez Park, Salcedo Village, Makati City. Organized by the Museum Foundation of the Philippines with the help of Bgy. Bel Air and Security Bank MasterCard.

An annual project of the Museum Foundation of the Philippines, ART IN THE PARK is an affordable art fair for paintings, prints, photos, and sculpture. Pieces have a price ceiling of P20,000.00.

conscious living: how green is green? (part two)

Everyone is talking green and selling green–green fashion, green furnishings, green houseware, green building materials. But are we sure they are ”green” enough?

One of the related concepts of carbon footprint is embodied energy. Another way to determine the greenness of a specific building material or product is to look at its embodied energy index.

Embodied energy is the sum of all the item’s/material’s energies used in processing (from extraction/harvesting of raw materials to manufacturing), packaging, transportation to the site, construction and eventual use, and finally its disposal. Put simply, embodied energy looks at the entire lifecycle of the material and computes how much energy is consumed.

Embodied energy is also called by different terms: cumulative energy demand, embedded energy, virtual energy or hidden energy. The relation of embodied energy to carbon footprint is through the CO² byproducts of the energy consumed by the material. Meaning, the more energy used to harvest, manufacture, transport, use, and dispose a product, the  more CO² is being produced.

Therefore, the smaller the embodied energy of the product is, the “greener” it becomes.

Bangui Windmills in Ilocos Norte, Philippines. Photo by Sir Mervs

SOURCES OF ENERGY

The embodied energy of materials is mostly similar from region to region, regardless of where it was manufactured. Although most material production processes are universal, the type of energy utilized may not be the same. A country whose power plants are mostly coal-fueled will have its products having a higher carbon footprint than a country which relies on geothermal or wind power (for example Iceland, which uses mostly geothermal and hydroelectric power) .

IMPORTED VS. LOCAL

Be careful on buying imported products and building materials. Even if the product from another country is green, it may not be the greenest decision to purchase it. Transportation costs will add a significant amount to its embodied energy. Plus, the energy used to process the product may not be from renewable sources. Of course, recycled materials and handmade products have a lower embodied energy. Therefore, make sure that the other stages in the product’s lifecycle saved/will save on energy to compensate for its international shipping. Otherwise, love your own and buy local products! You do not only help the environment, you also help the local economy.

EMBODIED ENERGY INDEX

Most computations for the embodied energy only consider the manufacturing process (starting from the acquisition of raw materials to the finished product ready for shipping).

The following are some values from the Center for Building Performance Research, Victoria University of Wellington, New Zealand to give you a comparison of the commonly used building materials today. (Unfortunately, we don’t have values yet for our country.)

Hope this will help you make greener choices and purchases next time.

product wars: department store shopping part two

For the second and last installment of our department store shopping series, we went to Crossings Shangri-la Mall and Landmark Trinoma.

I visited Crossings at Shangri-la and found lots of interesting items. They’ve upgraded their home section. Before, there were only a few furniture pieces displayed at Crossings. Now, they are really keeping their home section alive and bright – especially with the accessories. There were a lot of interesting vases to choose from! I think their theme now with the vases is “coral reef.” The downside is that there were more interesting accessories than furniture pieces. I guess it also matters that the space they’re occupying is very limited. They can’t really display many big items.

Overall, though, the pieces available at Crossings are worth a second look. They’re also very affordable and they have frequent half-off sales. Here are my finds:

clockwise from upper left: droplight, P2,698.00; table lamp, P1,238.00; dining set, P19,998.00; pillow, P349.75; metallic vase, P1,779.75; queen bed, P23,198.00; arm chair with ottoman, P11,800.00; green container, P1,108.00; green vase, P1,439.75

Ms. CFO was the one who visited Landmark and here’s what she found:

“There were a lot of great finds inside Landmark, but these were mostly home accessories.  You can choose from a wide variety of lamps, photo frames, and bathroom accessories.  I found the designs of the floor lamp and tray quite unique and affordable.  For the big items such as the sofa set, the bed, and the dining table, Landmark had very limited choices, most of them either had a similar color palette or design.”

clockwise from upper left: bed frame, P11,999.75 / bed (orthopedic), P10,719.75; photo frame, P259.75 (set of 3); floor lamp, P1,099.75; tray/organizer, P249.75; L Type sofa, P10,000.00; dining set, P9,900.00; bath organizer, P199.00

We hope you enjoyed our two-part department store shopping series. Don’t forget to answer our mini poll below:

product wars: department store shopping part one

I’ve spent a huge chunk of my life in malls. I’m a mallrat – and I’m not ashamed to admit it. What’s not to love about malls? They have everything you want and need. They have cinemas for the film buff, boutiques for the fashionista, bookstores for the reader, and a food court for the hungry. And of course, malls also have something for the homeowner – department stores with lots of nice and affordable furniture and accessories.

This is what I love most about the home sections of mall department stores. They offer a lot of choices. But the possibilities and options can be a bit overwhelming. So we, the Design Folder team, decided to do a challenge: find the best and most affordable pieces that mall department stores have to offer.

Let’s start with SM Megamall and find out if they’ve really “got it all for you.”

Ardel checked out SM Homeworld at the basement level of Building B, while Green Guide went through the furnishings at Our Home at the basement level of Building A. Here are their finds:

“There were not much interesting/stylish selections for the big items–dining set, bed frame, sofa, arm chairs, cabinets. Most of them look very typical.  So, for that part, it was quite a challenge for me. However, I’m still a big fan of SM Homeworld because of their good selection of accessories that are very affordable. Although it’s not included in the list, it’s worth to mention that they also carry a wide range of beddings, from affordable ones to high-end lines.” -Ardel

Clockwise from top left: two-seater sofa, P10,950.00; 21″x15″ frame with matte board, P469.75; ikhea drop light, P2,299.75; pillow, P149.75; four-seater dining set, P15,950; yellow green accent chair, P6,995.00; two-drawer side table, P4,995.00; table lamp, P3,249.75; turquoise molded plastic chair, P1,995.00; and red vase, P579.75.

“Our Home is packed with a range of really nice products, from basic items to trendy pieces. Unfortunately, the really good ones are quite expensive. They have a range of styles and price points for the main furniture pieces–sofa, chairs, cabinets, beds–so you have a lot to choose from. Similarly, Our Home also carries home accessories that are basic and affordable, as well as stylish but a bit more pricey (i.e. umbra line and their table lamps).” -Green Guide

Clockwise from top left: Eglo Fargo, P3,4999.75; pillows, P499.75 (blue plaid), P549 (gold metallic); quadro wall decor (mirror), P4,999.75; white bed frame (queen), P11,000; dining set, P24,950; Eglo sendo, P1,499.75; circk wing chair, P13,000; geneva coffee table, P8,995; small canvas bin, P299.75; and 3- and 2-seater sofa set, P24,950.