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psid’s jack ‘en poy (part 2)

(Above) Bamboozled (bamboo) by Teresa Bettina Gomez, Aivan Magno, Lourdes Reyes.

Finally, here’s the second installment of PSID’s Jack ‘en Poy exhibit! I hope the first part was enough to convince most of you to go and visit their mock-ups in SM North. But for those who haven’t been there yet, you still have a week! Jack ‘en Poy runs until the end of October at the former Super Sale Club, SM City North EDSA, Quezon City.

The second half of of the exhibit features designs that explored the unconventional use of bamboo/reeds, rubber, metal, wood, clay/earth, concrete, and stone:

Lastico (rubber) by Danelle Chan, Anne <arquez, Marie Sy, Edito Cauilan, and Brian Mendoza.

Wonder Grass (bamboo/reeds) by Leona Tan, Leah Marcelo, Normina Hicana, and Justine Villanueva.

Chiclette (rubber) by Karla Lora, Redz Dayot, Kimberly Fuentes, Shane Tomeldan, and Raizah Bangahan.

Pavo Real de Hierro (metal) by Juna Dianelo, Patricia Dizon, Camille Masiglat, Jesserie Enemoto, and Rico Urbano.

Boho Glam (metal) by Leandy Reyes, Katrina Recomite, Alvin Amansec, and Keshia Amuan.

Flight of Imagination (wood) by Meiji Castillo, Kathleen Go, Genevieve de Vera, and Zharmaine Leanzon.

Three to Tango (clay/earth) by Patricia Monfort, Abigail Sy, and Brian Zaldivar.

Glamorous and Green (clay/earth) by Pia Jimenez, Marie Antoinette Medina, Raleene Cabrera, Jennifer Cederstam, and Julienne Templonuevo.

Le Boudoir Rose (concrete/cement) by Jane Simon, Anton Castillo, Che Igdanes, David Mendoza, and Irene Chiong.

Tangible Dream (concrete/cement) by Sher Ho, John Daniel Garcia, Celiza Sim, Jinky Chan, and Charles Yulo.

Rockusina (stone) by Charisse Bantiling, Atheena Garcia, Marianne Panerio, Ivone Guda, and Pauline Tianazon.

Eat ‘To  Bato (stone) by Alethea Bautista, Ann Margaret Estoque, Jennifer Ocampo, Erika Canillas, and Maximo II Dy.

psid’s jack ‘en poy (part 1)

Glass with Class (glass) by Veronica Quesada, Katrina De leon, Kaye Guevarra, Christine Melivo, and Sunshine Samson

The spotlight is on green materials in the ongoing exhibit of the Philippine School of Interior Design’s (PSID) Jack ‘en Poy (the Filipino version of the game rock-paper-scissors). Twenty booths showcase the students’ playful and fantastic designs of home interior spaces developed around the use of natural and/or recyclable building and finishing materials. Jack ‘en Poy runs until the end of October at the former Super Sale Club, SM City North EDSA, Quezon City.

This first installment features the students’ fun and whimsical take on the use of glass, plastic, wood and paper. Enjoy!

Looking Glass by Mark Cardenas, Kendilyn Tan, Mary Jane Tan, and Pauline Teng

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Nouvelle Vie by May Voluntad, Helen Ricana, Pamela Tan, Claris Jornales, Marielen Galang

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Yin and Yang by Mary Rose Campos, Gelsey Cuaresma, Soledad Del Rosario, and Jasmine Baronia

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Out of the Box (paper) by Michael sy, Gayle Ocampo, Love Ocampo, Lissa Briones, Marianne Wamaleda

Paper View (paper) by Peaches de Guzman, Maruanne Monroy, Hannah Zuniga, and Eunice Vibal

i saw design: mapua’s interior design exhibit

Green Guide and I visited Mapua’s Interior Design Exhibit (MIDEX) in A. Venue Mall along Makati Avenue last Saturday. Two of my batchmates from college are members of Mapua’s ID faculty so my expectations were high. Thankfully, I was not disappointed.

There are four booths individually designed by four students that showcased their interpretation of avant-garde.

Lyra Lester Abuck’s “Tunnel Vision” found inspiration in science for her design of a bar.  To create an exaggerated illusion of depth, she applied basic techniques used in perspective drawing into an actual three-dimensional space. Sections of bent plywood in decreasing widths form the walls and the ceiling. The sections were further emphasized by backlighting the channels between them and painting the sections in gradating color, from white to black. Taking inspiration from a chemistry lab, the design of the open shelves at the back of the bar mimics the form of the Periodic Table, while laboratory glassware was used for mixing and serving drinks (which reminded me of this).

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Jeleanne Cribe turned her family’s devastating experience during typhoon Ondoy into her creative muse for her design of a bedroom entitled “Ondoy’s Homecoming”. Curved lines correspond to the movement of the flood waters while the blue light denotes the somber mood during the catastrophe. The elevated bed is reminiscent of their floating furniture during the flood, and the two dropped ceiling accents are stylized versions of their damaged ceilings.

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Instead of designing another boxy interior, Kristella Saclag gave her “Three-point Introspection” living room a new unexpected shape by having faceted walls. Interestingly, the combination of mirror panels, painted sections, and warm cove lighting made the walls look like they were finished in gold. The rest of the details in the room, like the sliding panels that hide the entertainment system, the coffee table, and the ceiling lamp, all follow the faceted form of the walls.

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With the recent implementation of the smoking ban, Ben Francis Nasayao thought of designing a luxe smoking “Lounge Center” with an unexpected twist. While the space looks glamorous, the inspiration behind the design, a smoker’s damaged lungs, is rather disturbing. The decorative panels took the form of damaged bronchial tubes. The colors red, black, and gray were taken from the colors of cigarettes, smoke, ashes, and death (hmmm quite morbid!).

The Interior Design program in Mapua is relatively new but we were impressed with the quality of the design that the students presented. Congratulations to Lyra, Jeleanne, Kristella, and Ben, and to their adviser, Twenty Munoz! MIDEX  runs until October 22.

P.S.

For price inquiries on the furniture pieces displayed in the exhibit, you can visit them at the 3F A. Venue Mall, Makati Ave., Makati City or email Ben Nasayao at <nasayaoben@yahoo.com.ph>.

design trail: bencab museum, baguio

As I’ve mentioned in a previous post, I didn’t get to visit a lot of Baguio’s tourist spots when we went there. Our visit was short but sweet. And the BenCab Museum made the trip worthwhile. We were there for the opening of the pottery show of my aunt, Ofelia Gelvezon-Téqui. Her glazed stoneware works were on display in one of the several galleries in the multi-floor structure.

{lobby/reception area}

There are works by masters like Joya, Magsaysay-Ho, Edades and contemporary pieces by young artists, indigenous crafts and artifacts, and of course BenCab’s own masterpieces. I love how they displayed the bulol rice granary gods on cantilevered shelves along one whole wall from floor to ceiling.

{bulol collection on display}

I also love how they utilized natural light throughout the whole space. They installed skylights, floor to ceiling windows and clerestory windows.The museum also has a little shop which has a nice collection of books and souvenirs and a café (Café Sabel) which overlooks the forest. Below the museum, you can also wander the farm and garden which produces organic vegetables, fruits and coffee.

{glazed stoneware by Ofelia Gelvezon-Téqui}

{Café Sabel}

{farm and garden}

The same day we were there, a group of about 600 students just visited the place! The BenCab museum just celebrated their 2nd anniversary and it’s already one of the must-see attractions in Baguio. The BenCab Museum is on Km. 6 Asin Road. For more information, visit their site, http://bencabmuseum.org/

manila now 2011 (part 2)

As we’ve mentioned in the previous post, we saw a number of impressive displays at Manila Now. They weren’t just “booths”; they were like mini-stores with makeshift ceilings and enclosures. It was nice to see the effort that exhibitors have put in to promote Filipino talent. Here are the rest of this year’s standouts:
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Space Encounters (official Facebook page)

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Far East Furniture (www.far-east-furniture.com)

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Diretso (www.diretso.com)

i saw design: excited over cebu next!

It’s March already! This means Ana and I are off to Cebu soon!

Last October, we got a preview of CebuNext over at Manila FAME. We were so impressed by their furniture displays that we wanted to see more. So this weekend, we’ll be flying to Cebu to attend the exhibit. We know that we’re in for loads of design treats!

In the past, Cebu has been the leader in furniture trends:

In the 60′s, the Cebu furniture industry popularized rattan furniture. Its casual and comfortable appeal was so widespread that no American home was without it. When rattan resources struggled in the 70′s (due to the extremely high demand), we stepped in and introduced buri, sourced from the most stately and largest of the Philippine palm trees. Buri’s unique tensile strength made it quite a sought-after material for furniture, and was most often seen in the ubiquitous piece of the period, the woven peacock chair.

In the 80′s, stonecraft, also known as laminated stone, took center stage, while woven cane & iron furnishings took over in the 90′s. In 1997, Cebu revamped the image of one of the oldest exports from the Philippines, abaca, by using it to interpret modern lines and processes. Combining the indigenous abaca with contemporary designs and technology made abaca hip again, giving a fresh, eco-conscious look to every room that had abaca furniture in it.

Such success prepared the world for the outdoor woven furniture trend that also started in Cebu in the year 2000. Since then, Cebu designers and manufacturers have been producing and shipping the most relaxing and most stylish outdoor furniture to top-end destinations all over the world, including trendy boutique hotels, exclusive vacation resorts, and the private homes of the rich and famous.

Key to the success of Cebu’s furniture design and manufacturing industry is their sustainable approach:

Cebu’s furniture designers and manufacturers have been using sustainable materials and methods long before “eco-friendly” and “going green” became buzzwords. Natural fibers from renewable sources have been the R & D cornerstone of many Cebu-based furniture companies, while nature’s castaways are now being incorporated into contemporary designs.

Naturescast by Nature’s Legacy Home and Garden is at the forefront of such efforts. They use forest wastes such as twigs and leaves in the creation of chairs, vases and other furniture items and décor. They prove that sustainability is an achievable ideal. It can be done.

Other Cebu furniture players participate in the sustainability drive as well, though not all efforts are visible in the furniture pieces themselves. One example is the continued use of traditional, handcrafting methods which reduce potential carbon emissions and the consumption of fossil fuels. Responsible manufacturing processes such as recycling waste water or using water-based finishes are on the list, as are identifying renewable sources of local materials, and the development of technologies and procedures to produce furniture and furnishings that are globally competitive. Tree-planting initiatives by the Cebu Furniture Industries Foundation (CFIF) round out the sustainability drive on an industry-wide level.

Sustainability, Return To Handcraftsmanship, and Individual Design are the three focus areas of CEBUNEXT. Sustainability is the heart of CEBUNEXT, which presents the concept to the world as a necessity, not a novelty, in hopes that world-wide sustainability efforts are not just trends but permanent fixtures that manufacturers, retailers and consumers can begin to take seriously and permanently – as unconscious fixtures in day to day functions as opposed to a conscious effort to ride a trend and profit from it.

Apart from CebuNext, we’ll be visiting a couple of interesting sites in the city. Watch out for our special Cebu features next week!

*Photos and texts via CebuNext

i saw design: art in the park, an invitation

If you’re not doing anything today, you might want to check this one out:

ART IN THE PARK on February 27, 2010, Saturday, 2 to 10 pm, Jaime Velasquez Park, Salcedo Village, Makati City. Organized by the Museum Foundation of the Philippines with the help of Bgy. Bel Air and Security Bank MasterCard.

An annual project of the Museum Foundation of the Philippines, ART IN THE PARK is an affordable art fair for paintings, prints, photos, and sculpture. Pieces have a price ceiling of P20,000.00.